Lincroft Campus
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$69

Early 20th-century authoritarian regimes controlled not just geography and national identity, but also artistic expression and ownership of art. The Holocaust was not an event only about genocide and the eradication of peoples, but also the ability to appropriate their possessions. This is especially true regarding the collection and management of artwork from 1933-1945. Consider the issues affecting objects with a Holocaust-era provenance including title, deed and ownership, the condition of objects, and even what constitutes objects that are returnable. Examine case studies including Egon Schiele’s Wally Neuzil, The Utah Museum of Fine Art’s Francois Boucher, and the Collection of Jacques Goudstikker, and consider the many ways provenance can affect the art we view. 2 SESSION.

Monday, October 6 &13, 10am – 12pm, $69

To register call 732-224-2315

Search Course Code: XHUMG-000-OCP04